| The film in question is a short, two-minute rumination on the once volatile situation during the period of the Bosnian War, presented in the form of a photo-montage with accompanying text. In the film, Godard takes a single photograph and shows us a series of close-up segments that conspire to abstract the overall meaning of the picture, turning the individual elements into mere symbols that are there to be deciphered. |
Commissioned by the heads of the 2000 Cannes Film Festival to make an opening-night short commemorating cinema as it enters its second full century, Godard instead offers up a 17-minute barrage of re-edited footage of wars and Nazi atrocities, interspersed with clips of Maurice Chevalier in ``Gigi`` and Godard`s own ``À bout de souffle.`` |
The title of this twenty-minute video by Jean-Luc Godard and Anne-Marie Miéville, ``Freedom and Fatherland,`` is the official slogan of the Canton de Vaud, in Switzerland, where the filmmakers live and grew up. To fulfill their commission from a Swiss cultural festival, they adapted a great Swiss novel, ``Aimé Pache, Painter from the Vaud,`` by Charles Ferdinand Ramuz, from 1911 (about a local artist who goes to Paris for his education and then returns home) and extruded its autobiographical analogies to Godard`s own life and work. |